Alan Langford π¨π¦
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Roger wasn't sure when it made the transition from a hypothesis to a belief, or when it went from a belief to faith. Whenever it was, he regretted it as deeply as any thought he'd ever had.
Kim Possible :kimoji_fire:@alan@mindly.social @bookstodon@a.gup.pe very good beginning.
Alan Langford π¨π¦π§€π§ζ@kimlockhartga@beige.party @bookstodon@a.gup.pe I tend to read the first page, then look for a dense passage somewhere in the middle. If the author can carry a paragraph that runs to two pages (how I wish I could!) then I'm interested. If it plods, or if there are none, then I need a bigger sample and will read some more random pages.
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:verified_mustard:@alan@mindly.social @kimlockhartga@beige.party @bookstodon@a.gup.pe interesting technique. What do you do with authors that don't write long paragraphs? Mine are almost never longer than a page.
Alan Langford π¨π¦π§€π§ζ@skribe@aus.social @kimlockhartga@beige.party @bookstodon@a.gup.pe I will read more random samples in the book. The absence of dense prose isn't a show-stopper, but I admire those who can pull it off. Usually their shorter paragraphs are of similar calibre.
I dare say right now when I look at my own longer paragraphs there's a good chance that I'm rambling. I am not that good yet. Not by a significant margin. One day though, in my dreams...
skribe πΊπ¦ :verified_mustard:@alan@mindly.social @kimlockhartga@beige.party @bookstodon@a.gup.pe try writing screenplays, where five line paragraphs are considered excessive π€£
Alan Langford π¨π¦π§€π§ζ@skribe@aus.social @kimlockhartga@beige.party @bookstodon@a.gup.pe LOL right now that's exactly what I'm trying to not do. I have sections with an excessive reliance on dialogue and action rather than ambience and scene. Maybe I'll keep some of that archived in case someone wants a movie version, but it makes for thin prose.