Brutkey

Joscelyn Transpiring
@JoscelynTransient@chaosfem.tw

White Trash Tranny Dyke

#BallessBitch
 πŸŒˆπŸŒˆπŸ³οΈβ€βš§οΈπŸ³οΈβ€βš§οΈβ€©" target="_blank" rel="noopener noreferrer tag" data-mfm="hashtag">#ADHDisasterβ€©πŸŒˆπŸŒˆπŸ³οΈβ€βš§οΈπŸ³οΈβ€βš§οΈβ€©
Gender Euphoria Basics:
 Gender Euphoria Basics for Trans Fems (
https://chaosfem.tw/@JoscelynTransient/110226818047150799)


Transpiring Considerations:
https://chaosfem.tw/@JoscelynTransient/109886947900877778


Trans Music Monday:

https://chaosfem.tw/@JoscelynTransient/110911825722130749


Profile picture: a picture of Harley Quinn looking haggard and scratched up drinking a cup of coffee with trans pride colors squiggled behind her.


Banner image: An image of the Bi Pride flag with howling werewolves on each side facing the center. Courtesy of Kiki (
@gallowswitch)


Notes
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Pronouns
she/they
Harley Quinn Fan Account
https://cobbsquad.club/@HarleyQuinn
Site
https://forbidden-queeries.ghost.io
Patreon
patreon.com/MallorySinn
Joscelyn Transpiring
@JoscelynTransient@chaosfem.tw

By popular request, it's here!

FORBIDDEN QUEERIES, my new Question & Response blog is live!

https://hachyderm.io/@mallory_sinn/115029605920637964

I'll be publishing it under my pseudonym, Mallie Sinn, to keep it separate from my career and make it clear what I offer there is personal opinion and not therapy or counseling. You can read it by following
@mallory_sinn@hachyderm.io or on the blog site itself: https://forbidden-queeries.ghost.io/

I am currently taking open questions from everyone at forbiddenqueeries@gmail.com or in private mentions to
@mallory_sinn@hachyderm.io

If you want to support this effort or get top priority for your own question, please subscribe on the blog itself at
https://forbidden-queeries.ghost.io/ or on my patreon for projects under my pseudonym https://patreon.com/MallorySinn

#Trans #Transgender #Queer #Advice #Questions #Writing

Joscelyn Transpiring
@JoscelynTransient@chaosfem.tw

I can no longer read the word β€œgridlock” correctly…

Joscelyn Transpiring
@JoscelynTransient@chaosfem.tw

I'm finally putting together a master list for all my #TransMusicMonday posts since it can be hard to dig them all up.

Here's the posts in order, starting with the first on January 30th:

Dorian Electra
https://chaosfem.tw/@JoscelynTransient/109762044718859597

Mykki Blanco
https://chaosfem.tw/@JoscelynTransient/109778963651696549

Jackie Shane
https://chaosfem.tw/@JoscelynTransient/109821065977580571

Ezra Furman
https://chaosfem.tw/@JoscelynTransient/109859029873000018

Beverly "Glenn" Glenn-Copeland
https://chaosfem.tw/@JoscelynTransient/109897713223690979

Shae Diamond
https://chaosfem.tw/@JoscelynTransient/109943623738361709

Ataru Nakamura
https://chaosfem.tw/@JoscelynTransient/109977311146882415

Rachel Underspoon
https://chaosfem.tw/@JoscelynTransient/110016574410336403

Molly Noise
https://chaosfem.tw/@JoscelynTransient/110141924675130034

Evan Greer
https://chaosfem.tw/@JoscelynTransient/110175945741432384

Joe Stevens (Coyote Grace)
https://chaosfem.tw/@JoscelynTransient/110255259953547918

Lucas Silveira (The Cliks)
https://chaosfem.tw/@JoscelynTransient/110296108639353941

Ezra Furman, "Suck the Blood from My Wound"
https://chaosfem.tw/@JoscelynTransient/110334069347789114

Janelle Monae
https://chaosfem.tw/@JoscelynTransient/110374024399142603

Ezra Furman, "Twelve Nudes"
https://chaosfem.tw/@JoscelynTransient/110616656066731785

yeule
https://chaosfem.tw/@JoscelynTransient/110652556783626252

Avery Tucker (Girlpool)
https://chaosfem.tw/@JoscelynTransient/110690800242784362

Joscelyn Transpiring
@JoscelynTransient@chaosfem.tw

#TranspiringConsiderations

Title: Complex Trauma Disorder? I hardly know her!

CW: Gender Dysphoria, cPTSD

Web version:
https://www.joscelyntranspiring.com/post/complex-trauma-disorder-i-hardly-know-her

Cross-Posted on Stained Glass Woman:
https://open.substack.com/pub/stainedglasswoman/p/complex-trauma-disorder-i-hardly?r=2ydkiy&utm_campaign=post&utm_medium=web

🧡🧡 (1/18)

#Trans #Transgender #FtM #MtF #Enby #NonBinary #Queer #cPTSD


Joscelyn Transpiring
@JoscelynTransient@chaosfem.tw

By popular request, it's here!

FORBIDDEN QUEERIES, my new Question & Response blog is live!

https://hachyderm.io/@mallory_sinn/115029605920637964

I'll be publishing it under my pseudonym, Mallie Sinn, to keep it separate from my career and make it clear what I offer there is personal opinion and not therapy or counseling. You can read it by following
@mallory_sinn@hachyderm.io or on the blog site itself: https://forbidden-queeries.ghost.io/

I am currently taking open questions from everyone at forbiddenqueeries@gmail.com or in private mentions to
@mallory_sinn@hachyderm.io

If you want to support this effort or get top priority for your own question, please subscribe on the blog itself at
https://forbidden-queeries.ghost.io/ or on my patreon for projects under my pseudonym https://patreon.com/MallorySinn

#Trans #Transgender #Queer #Advice #Questions #Writing

Joscelyn Transpiring
@JoscelynTransient@chaosfem.tw

I wonder what would happen if I got a tattoo of the word gridlock? πŸ€”πŸ€”

Joscelyn Transpiring
@JoscelynTransient@chaosfem.tw

I know gridlock can be unpleasant for many, but some of us are happy with it.

Joscelyn Transpiring
@JoscelynTransient@chaosfem.tw

Hmmm…it seems I’m not the only one who has difficulties with gridlock…

Joscelyn Transpiring
@JoscelynTransient@chaosfem.tw

I can no longer read the word β€œgridlock” correctly…

Joscelyn Transpiring
@JoscelynTransient@chaosfem.tw

Big gripe about current employment and labor models: Why can't we just let people do things they are good at and are satisfied in for their jobs?

Our current labor models in the US and much of Europe assumes if someone is good at something, they should be "promoted" to managing or coordinating that thing. This assumes 1) that because someone is good at a task they will be good at managing a task and 2) that they want or will thrive in a manager or coordinator role. We place a hierarchy of status, power, and compensation to these roles too, with people placed in a role of greater respect, power, and higher income because of their title as "manager."

But if someone is really good at a thing and they like doing it, shouldn't we want them to keep doing that thing? If someone is a great engineer, maybe we should reward them by letting them engineer more things and maybe have more leeway or agency in their role, with greater compensation? Some companies do take this approach, but it hasn't spread to the NGO or public sectors.

I am great at planning out and implementing a specific program or event for youth. I am amazing at engaging and mentoring them. I do not thrive when I am expected to keep track of all the follow-throughs and juggle all the balls needed to make those programs happen. And yet, I am now "overqualified" for doing what I am good at and told that I should instead apply for the kinds of jobs that keep burning me out. I don't want that job, and I don't think I am the best suited for it, let me do what I am truly amazing at. And if you think I'm great at it, compensate me for being really great to keep me in the role and maybe give me the capacity to develop similar programs or have more agency in the program delivery.

Joscelyn Transpiring
@JoscelynTransient@chaosfem.tw

Another sign transphobes have never met a single real trans person: they insist it is a sexual fetish, and yet seemingly half of my trans friends are asexual or ace spectrum.

Joscelyn Transpiring
@JoscelynTransient@chaosfem.tw

The way you can tell I am feeling better finally is that I’ve switched from re-watching a comfort show to binging a series of campy horror films.

Tonight’s series: Return of the Living Dead.

For those that don’t know, Night of the Living Dead by George Romero and John Russo both invented the modern zombie as monster as opposed to occult slave and accidentally fell into public domain due to a flub in the printing of the original reels that left off the copyright symbol (yes, it really used to be that easy).

Well, George Romero built off this series with Dawn of the Dead and Day of the Dead - movies with rich political analysis, horror, and pathos. John Russo on the other hand, decided to double down on campy and frankly silly version with the Return of the Living Dead series (with O’Bannon of Alien and Total Recall fame directing and writing the screenplay of the first).

While the tone of these quickly becomes slapstick, they are almost darker if taken seriously. While Romero’s ghouls are slow and shambling, and rise from some unknown contagion (or because β€œthere is no more room in hell” as one character posits), Russo’s zombies are caused by a government chemical weapon. Furthermore, they move fast, can speak and have some intelligence, and do not die when their brain is destroyed or body is dismembered. And the military’s response is usually to use a nuclear bomb to wipe the infected area clean. By the second movie, it appears electrocution can kill the zombies, but that’s it.

So here’s to giggling at zombies moaning β€œBRAAAAAIIIINNNNSSSS” while the existential horror sinks in of being unable to die and be cogent enough to feel your flesh rot.

Joscelyn Transpiring
@JoscelynTransient@chaosfem.tw

By the third Return of the Living Dead, no one who was part of the first two was involved. I am sure this bodes well for its quality πŸ˜…πŸ˜…

Joscelyn Transpiring
@JoscelynTransient@chaosfem.tw

Ugh, sick in bed with a cold all weekend, and the comfort show I chose to return to in my sick haze: Community.

It’s got plenty of problems, but it does genuinely make me laugh a lot too. And given that I am actually taking community college classes to get used to studying again before grad school, it fits my mood lately. Also, realizing I am now the middle-aged woman who is older than most of the characters has me looking at the show very differently in some ways.
πŸ˜…πŸ˜…

Joscelyn Transpiring
@JoscelynTransient@chaosfem.tw

The way you can tell I am feeling better finally is that I’ve switched from re-watching a comfort show to binging a series of campy horror films.

Tonight’s series: Return of the Living Dead.

For those that don’t know, Night of the Living Dead by George Romero and John Russo both invented the modern zombie as monster as opposed to occult slave and accidentally fell into public domain due to a flub in the printing of the original reels that left off the copyright symbol (yes, it really used to be that easy).

Well, George Romero built off this series with Dawn of the Dead and Day of the Dead - movies with rich political analysis, horror, and pathos. John Russo on the other hand, decided to double down on campy and frankly silly version with the Return of the Living Dead series (with O’Bannon of Alien and Total Recall fame directing and writing the screenplay of the first).

While the tone of these quickly becomes slapstick, they are almost darker if taken seriously. While Romero’s ghouls are slow and shambling, and rise from some unknown contagion (or because β€œthere is no more room in hell” as one character posits), Russo’s zombies are caused by a government chemical weapon. Furthermore, they move fast, can speak and have some intelligence, and do not die when their brain is destroyed or body is dismembered. And the military’s response is usually to use a nuclear bomb to wipe the infected area clean. By the second movie, it appears electrocution can kill the zombies, but that’s it.

So here’s to giggling at zombies moaning β€œBRAAAAAIIIINNNNSSSS” while the existential horror sinks in of being unable to die and be cogent enough to feel your flesh rot.

Joscelyn Transpiring
@JoscelynTransient@chaosfem.tw

Ugh, sick in bed with a cold all weekend, and the comfort show I chose to return to in my sick haze: Community.

It’s got plenty of problems, but it does genuinely make me laugh a lot too. And given that I am actually taking community college classes to get used to studying again before grad school, it fits my mood lately. Also, realizing I am now the middle-aged woman who is older than most of the characters has me looking at the show very differently in some ways.
πŸ˜…πŸ˜